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2020.8.22 - 2020.9.23
艺术家：陈子丰、高岩、葛雅静、李海光、凌慧、孙毅、孙尹骁文、熊佳翔、耶苏、魏涛、吴清润、张佳星、张业鸿、张云峰、赵玉
策展人：李泊岩
拱形画廊
When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.
“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.
Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.
当我们把“看见”这一行为比作打开一个空房间的房门，看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音，我们无法准确的追寻余音回荡的轨迹。不断地“看见”，新的东西累积产生同时，不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间，通过回忆，某些时刻得以持续存活，不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”
恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中，时间如流体般被我们任意搬运、搅动，又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远，以至于被送入一个被剥去嘈杂的心理状态，意识取代了被记忆包裹的身体，从而任意涌动。
他的作品长期以来从“劳动”这个常用的词汇出发，不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道，那就是”具体的劳动“在现实世界中是如何”做功“的。”
Tuesday – Sunday
10.00am – 6.00pm
ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha
星期二 – 星期日
上午10.00 – 下午6.00
湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY
