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- 2023
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2020.8.22 - 2020.9.23
艺术家：陈子丰、高岩、葛雅静、李海光、凌慧、孙毅、孙尹骁文、熊佳翔、耶苏、魏涛、吴清润、张佳星、张业鸿、张云峰、赵玉
策展人：李泊岩
拱形画廊
![[Please, Do Mind The Gap] Exhibition posters.](https://archgallery.net/wp-content/uploads/2023/09/JUNE海报.png)
2023/07/22-10/09
June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.
Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.
“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.
When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.
「IT’S A JOKE别太当回事，儿」是ARCH GALLERY拱形画廊策划的首个群展。展览从时间和空间两个维度探寻了艺术家在各自创作过程中所使用的不同方法观念。为了让大家更进一步地了解艺术家的创作理念，ARCH CHANNEL此番专访梁浩。
恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中，时间如流体般被我们任意搬运、搅动，又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远，以至于被送入一个被剥去嘈杂的心理状态，意识取代了被记忆包裹的身体，从而任意涌动。
当画作真切地逼近我们双眼，首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起，将这次拱形画廊名为《危险同谋》的展览，用文字或符号分成了几大篇章：臆想、一座高原、剧场。许是有意为之，又或是无心之举，开篇选取的这段文字，饱含着诗人瓦雷里对家乡赛特港的深沉眷念。
Tuesday – Sunday
10.00am – 6.00pm
ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha
星期二 – 星期日
上午10.00 – 下午6.00
湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY
