Slide

Yan Qing

Yan Qing

Artist

Intersection Line, Tempera, 20 x 40 cm, 2021

1988 Born in Hunan

2015 Studied in the Central Academy of Fine Art Oil Painting Department.

She has successively graduated from Hunan Normal University Academy of Fine Arts, majoring in oil painting. She loves the nature and purity of Tampere’s painting, and focuses on the spiritual exploration of the natural spirit.

Using Tempera as a medium of communication and the spirituality and wisdom of trees as a language, Hunan artist Yan Qing leads us into a quiet and healing space of purity. The exhibition examines the relationship between human beings and nature with the audience in a lighter state of silence than sound. In the space between the trees expressed by Yan Qing in each painting is a dialogue between ourselves and nature, or between ourselves and ourselves.

A Branch on the Ground, Tempera, 20 x 40 cm, 2021

A Tilted Branch, Tempera, 30 x 42 cm, 2021

The Blue Branch,  Tempera,  70 x 60 cm, 2021

Categories: Uncategorised

Exhibitions

过往展览

Glittering Signals

Aritist:Qi Le
Curator:Wenjing
2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong
2024.6.7

闪闪的信号

艺术家:齐乐
策展人:文静
2024.3.10

拱形浪:超越地缘的界限

艺术家:陈牧甜,胡龙祥,黄晓亮,李赢,罗明君,马丙,邹建平
策展人:心钰

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH 采访 | 梁浩

「IT’S A JOKE别太当回事,儿」是ARCH GALLERY拱形画廊策划的首个群展。展览从时间和空间两个维度探寻了艺术家在各自创作过程中所使用的不同方法观念。为了让大家更进一步地了解艺术家的创作理念,ARCH CHANNEL此番专访梁浩。

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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