Arch Gallery
ARCH GALLERY，取建筑‘architecture’中“拱形”之意，是一家致力于推动当代艺术全球化发展的专业艺术机构，自2019年成立，前身为無同空间。 ARCH GALLERY秉持以学术研究为基础， 与全球的艺 术家、策展人、美术馆紧密合作，挖掘和推广具有独特艺术语言的艺术家和实验艺术项目。旨在成为国际艺术家与策展人交流的重要平台，积极推广当代艺术的深远价值。从成立至今，曾与30多位艺术家、策展人、艺术评论家合作，呈现十三场当代艺术展览和实验性艺术项目，传达了多样和具有先锋性的艺术观念。ARCH GALLERY 将延续对艺术学术上的关注和挖掘, 承接、传递创作者的思考、感知、创造和表达，提供一个开放自由多元的场域。
Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.
When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.
When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.
1985年在北京中国美术馆举办的《劳申伯格艺术展》让中国人近距离地看到了“后现代艺术”的形态，这些展品让中国观众目瞪口呆：山羊的标本，汽车的轮胎，废弃的地毯组成了前所未见的图腾。在展览期间，保洁员差一点把作品误作是垃圾清理。
朱湘闽的作品在愉悦的状态中，凸显了轻盈、弥散的线条与形态，层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感，是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考，形象间释放的情绪在思想的过滤与分解后，营造了更有流动性的感官体验。
在看向郭宇剑的作品时，被描绘的总是在流动的状态中，相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化，直到感受盈满，它才会把我们推远。
Tuesday – Sunday
10.00am – 6.00pm
ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha
星期二 – 星期日
上午10.00 – 下午6.00
湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY
![[Please, Do Mind The Gap] Exhibition posters.](https://archgallery.net/wp-content/uploads/2023/09/JUNE海报.png)
