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Shi Yiran

Shi Yiran

Artist

Thanksgiving Day, Acrylic on board, 28x36cm, 2019

Born in 1983.

Master/ PhD in China Academy of Art(CAA),2009/2017 Studio Residency in International City of Art, Paris, French, 2015 Visiting Scholar in University of Pittsburgh, U.S., 2019-2020

In her paintings, a sense of “road movies” flashes from time to time, a feeling of loneliness and romance of “on the road” with these fragments which implicated together, are outlining an intertwined emo-geography.

Watching her series from Dolphin Hotel, Peacock Town, All Recruits to Mirage, the audience will find that almost all of these are the artist’s changing experiences in various fields, as well as emotional growth in relation to it.

2017,PEACOCK TOWN, Artopia Gallery, (Beijing)

2021,Mirage, L+, (Hangzhou)

Palateette:Opening Exhibition of SGA Gallery,Three on The Bund,Shanghai(2019);

Scripts,Traces and The Unpredictable,PearlLam Galleries,Shanghai(2019);

Under- currents,PearlLam Galleries,Shanghai(2018);

The Order of Painting,N3 Gallery, Beijing(2018);

Paradise:Catabolic Memorise,Cheng Contemporary Art Center,Beijing(2017);

Inexplicable, PearlLam Galleries,Shanghai(2017);

Beyond Utopia:Contemporary Art from China,Castello Di Rivara Art Museum,Turin(2016);

Utopia e oltre-China Pavillon- Paratissima Turin(2015);

“Xinfeng”Project: The Development of Vision Artist,Zhejiang Art Museum(2013);

The Landscape of Art,Art Museum of Tokyo National University of Fine Arts and Music,Tokyo(2009);

The 11 National Art Prize Hubei Art Museum,Wuhan(2009);

“Descriptive China” The 4t Chengdu Biennale,Chengdu Mordern Art Museum(2009);

The 3rd National Youth Art Exhibition,National Art Museum of China,Beijing (2008)

Sink, Acrylic on board, 28x36cm, 2019

Chevrolet, Acrylic on board, 28x36cm, 2019

Bride’s Room, Acrylic on board, 36x28cm, 2019

Breakfast, Acrylic on board, 72x54cm, 2021

Exhibitions

过往展览

2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.08.06-10.09

Eclipse

Artist:Lin Shu
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西
2022.08.06-10.09

Eclipse

艺术家:林舒

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
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ARCH GALLERY

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