Slide

Shi Yiran

Shi Yiran

Artist

Thanksgiving Day, Acrylic on board, 28x36cm, 2019

Born in 1983.

Master/ PhD in China Academy of Art(CAA),2009/2017 Studio Residency in International City of Art, Paris, French, 2015 Visiting Scholar in University of Pittsburgh, U.S., 2019-2020

In her paintings, a sense of “road movies” flashes from time to time, a feeling of loneliness and romance of “on the road” with these fragments which implicated together, are outlining an intertwined emo-geography.

Watching her series from Dolphin Hotel, Peacock Town, All Recruits to Mirage, the audience will find that almost all of these are the artist’s changing experiences in various fields, as well as emotional growth in relation to it.

2017,PEACOCK TOWN, Artopia Gallery, (Beijing)

2021,Mirage, L+, (Hangzhou)

Palateette:Opening Exhibition of SGA Gallery,Three on The Bund,Shanghai(2019);

Scripts,Traces and The Unpredictable,PearlLam Galleries,Shanghai(2019);

Under- currents,PearlLam Galleries,Shanghai(2018);

The Order of Painting,N3 Gallery, Beijing(2018);

Paradise:Catabolic Memorise,Cheng Contemporary Art Center,Beijing(2017);

Inexplicable, PearlLam Galleries,Shanghai(2017);

Beyond Utopia:Contemporary Art from China,Castello Di Rivara Art Museum,Turin(2016);

Utopia e oltre-China Pavillon- Paratissima Turin(2015);

“Xinfeng”Project: The Development of Vision Artist,Zhejiang Art Museum(2013);

The Landscape of Art,Art Museum of Tokyo National University of Fine Arts and Music,Tokyo(2009);

The 11 National Art Prize Hubei Art Museum,Wuhan(2009);

“Descriptive China” The 4t Chengdu Biennale,Chengdu Mordern Art Museum(2009);

The 3rd National Youth Art Exhibition,National Art Museum of China,Beijing (2008)

Sink, Acrylic on board, 28x36cm, 2019

Chevrolet, Acrylic on board, 28x36cm, 2019

Bride’s Room, Acrylic on board, 36x28cm, 2019

Breakfast, Acrylic on board, 72x54cm, 2021

Exhibitions

过往展览

2023/07/22-10/09

Please,Do Mind The Gap

June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.
2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 梁浩

「IT’S A JOKE别太当回事,儿」是ARCH GALLERY拱形画廊策划的首个群展。展览从时间和空间两个维度探寻了艺术家在各自创作过程中所使用的不同方法观念。为了让大家更进一步地了解艺术家的创作理念,ARCH CHANNEL此番专访梁浩。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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