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ARCH PRIVATE|近在咫尺的飞行

近在咫尺的飞行

艺术家: 黄晓兵

策展人: 谢宇

2023.07.22-2023.10.09

 

ARCH GALLERY 拱形画廊欣然宣布,位于Arch Gallery五楼的Arch Private空间正式首次对外开放,于7月22日呈现艺术家黄晓兵个展「近在咫尺的飞行」,展出其雕塑、装置、绘画等约258件艺术作品。

我们终将会停止飞翔,

沿着无法确认目的地的路径。

这是一趟旅途,

风景随日月变化,

地貌或不可端倪,

但时间的对话,

是终将超越维度的存在。

 

前言 

人类文明史与动植物息息相关。人与自然的共生关系蕴含了丰富的时代内涵和哲学含义。两者相互制约,又延续平衡,期间体现的对立性与统一性,也投射于自然哲学、社会哲学和人生哲学等领域。黄晓兵是一位以多维度技法呈现其观念的艺术家。他不拘泥于自身舒适熟练的绘画技巧,而是追求观念的完美呈现——运用陶瓷、雕塑、摄影、装置来诠释现代自然与社会的议题。在此次的展览之中,他将围绕“鸟”展开的动物形态作为主体符号,并在各种材料语境之下进行艺术表达。他的作品包含了对于自然与生命、个体与群像之间的关系论述。在形态各异的“鸟”的形象中,他糅合、分解各种动物的具象符号。变形的躯体,各色的形态与神情创造了各不相同的语境。但与此同时,它们始终紧收的羽翼却是作者的代表符号。

这是作者对于生活、自然、个人、群体之间观察的现实映射。当单个鸟类置于空间,那是个体与环境符号的碰撞。而当多个雕塑组合成群像,便有了形态各异的个体相互的影响、牵引与制衡。作品的外观形态丰富变化,釉面的色彩、泥土的粗略、刀刻的纹路,这些表象隐藏在创作者略带伤感、悲观的具象表现中,又投射而出,如同诉说对个体生命与自然环境陌然转变的不安与无力。

但作者并没有消极应对现状,而是以温柔、童趣、天真的态度相回应。这是他对于生命的重新体悟、审视与表达。观者将顺延作品的脉络,体会艺术家所描述的。它们将引发我们强烈的情感,并促其持续思考,进行下去。

 

展览现场

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 郑江

“边界惊险但精彩,像绘制一个形象生动的轮廓线时一样充满诱惑力。我觉得创作过程本身就包含对艺术形式的思考,两者应该是一体、贴切的。”

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

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