Slide

可言

Exhibition

可言

艺术家:戈子馀、郭梦垚、黄佳、Ingrid Ledent(比利时)、李迪、刘可、柳溪、庞海龙、王智一、王满
策展人:张婷

2019.10.01-2019.12.01

無同空间荣幸推出以抽象艺术为主题的群展 《可言》(To Speak)。参展的十位艺术家在抽象艺术的长期研习创作的道路上,实践出具有视觉能量的点、线、面、形状和色彩的图像符号,这批符号将在展览现场相互碰撞交织,呈现出多元的视觉感受,带给大家不同的精神体验。

关于展览主题,《可言》来自《庄子·天道》中提到的 “意之所随者,不可以言传也”。策展人张婷认为此中的“不言”并不是彻底的缄默,而是一种平和自然的言说方式,以避免语虚玄枉。

对于抽象艺术来说,“无言”只是它的表达方式,它用它的语言诉说着人类的美学感受,所以抽象艺术非但可言,并且还可以从不同的逻辑维度去解读。

“可言”的现场将会从视觉、形式、情感等方面,在無同空间900余平的场地中分割、组合成一个个空间。在这里,“看懂”不是必要条件,你只需要顺从自己的内心,享受艺术带来的触动,感受与作品产生的共鸣。

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

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ARCH Gallery
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410000 Changsha

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