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ARCH PRIVATE| Flight at a stone’s throw

Flight at a stone’s throw

Artist: Xiaobing Huang

Curator: Yu Xie

2023.07.22-2023.10.09

 

ARCH GALLERY is pleased to announce that the Arch Private space located on the fifth floor of Arch Gallery will be opened to the public for the first time. On July 22, 2023, artist Xiaobing Huang’s solo exhibition “Flight at a stone’s throw” will be presented, displaying approximately 258 of his sculptures, installations, paintings, etc. piece of art.

 

We will eventually stop flying,
Following a path with an unidentified destination.
This is a journey,
The scenery changes with the sun and moon,
The landform may be unpredictable,
But the conversation of time,
It is an existence that will eventually transcend dimensions.

 

Preface

The history of human civilization is closely related to animals and plants.

The symbiotic relationship between man and nature contains rich connotations of the times and philosophical implications. The two restrict each other and maintain balance. The opposition and unity reflected during this period are also projected into the fields of natural philosophy, social philosophy, and philosophy of life.

Xiaobing Huang  is an artist who uses multi-dimensional techniques to present his concepts. He does not stick to his comfortable and proficient painting skills, but pursues the perfect presentation of concepts – using ceramics, sculptures, photography, and installations to interpret modern nature and social issues. In this exhibition, he uses the animal form surrounding the “bird” as the main symbol, and uses various material contexts for artistic expression.

His works contain discussions on the relationship between nature and life, individuals and group images. In the images of “birds” of different shapes, he blends and decomposes the concrete symbols of various animals. The deformed body, various forms and expressions create different contexts. But at the same time, their ever-contracted wings are the author’s representative symbol.

This is the author’s realistic mapping of observations on life, nature, individuals, and groups. When a single bird is placed in space, it is a collision between the individual and the environmental symbol. And when multiple sculptures are combined into a group image, there will be mutual influence, pull and balance between individuals of different shapes. The appearance of the work is rich and varied, including the color of the glaze, the roughness of the soil, and the lines carved by the knife. These appearances are hidden in the artist’s slightly sad and pessimistic figurative expression, and they are projected out, as if they are telling the story of individual life and the natural environment. The uneasiness and powerlessness of strange changes.

However, the author did not respond negatively to the current situation, but responded with a gentle, childlike, and innocent attitude. This is his re-understanding, examination and expression of life. Viewers will follow the context of the work and experience what the artist describes. They will trigger strong emotions in us and prompt us to continue to think and continue.

 

Installation view

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 郭宇剑

从那时起我尝试让白日梦式的想象力渗到画面中去,那些较早之前象征意味较浓的图示也被自然地冲淡了。或许正是因为这种像是被什么浸润过的画面所流淌出的气质和一些与现实相违和的图像内容才造成了类似梦境似的联想。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
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湖南省长沙市天心区殷家冲路
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