Slide

Eclipse

Exhibition

Eclipse

Artist:Lin Shu

2022.08.06-10.09

ARCH PROJECT is presenting the project exhibition “Eclipse” from August 6th to October 9th. ARCH PROJECT cooperated with artist Lin Shu this time. This exhibition uses the unobservable cosmic phenomenon as a metaphor, and displays the artist’s photographic works, paintings and early representative works in the past two years. It is presented through spatial structure, sight processing, image reading, etc., allowing viewers to experience “the creation of a foreign teacher, and the source of the heart” from a new perspective.

We are always recognizing what is meaningful to us in a dense and noisy environment, it accumulates and expands until a certain moment emerges as an inevitable way while we encountering the world. In Kafka’s words, “People take pictures of things in order to drive them out of consciousness.” In the inevitable time, people try to retain some more still postures to combat forgetting. When a palm of our hands touches a photo, the enantiomer begins to form in one’s mind, and our sights depend on it. The photo leaves the scars of images.

 

In the series  “Leaving at Sunset”, rather than conveying the meaning through photography of objects and symbols, it is more about perceivable emotions and consciousness – they cannot be directly translated into codes or symbols, or information for people to read and analyze. It is a whole, showing a certain outline in the space to envelop the viewer’s feelings, and a ray of light in the distance can only cut into the night intermittently. These silent lights in the works convey the slowly revealed and extended secrets. When you start to gazing and striving for some peace, the energy contained in the subconscious lake will be sounded.

As the artist’s words: “A grass can grow at its will, but it can never grow into the shape of this line I drew.” In sketches and photos, it is not necessary to deliberately depict the reality of that original time. In that time and space, passing through the image with objects and originating objects that have not yet been clearly defined, with the eyes looking at us became real. The worlds they provide are permeated with emotions, and time solidifies them into reefs in rivers, the artworks unfold the passages of sailing. According to Huberman (Georges, 1992), the human brain selectively sorts and reorganizes events according to their likes and dislikes. “Outside our line of sight, there is something that seems to be talking about something that has returned from afar, is closely related to us, stares at us, but at the same time we cannot leave behind. This line of sight is more like a sight constructed by time. Sight, it unfolds like thought in illusion, time re-weaves itself in space and becomes time again.”

 

G.Didi-Huberman, Ce que nous voyons, ce qui nous regarde, Les Éditions de Minuit, 1992.

Exhibitions

过往展览

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The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.08.06-10.09

Dangerous Complicity

Artist:Guo Yujian
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西
2022.08.06-10.09

危险同谋

艺术家:郭宇剑

Art Channel

艺术频道

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

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