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2023 Affordable Art Fair Shanghai|W10

2023 Affordable Art Fair Shanghai

ARCH GALLERY BOOTH W10

ARCH GALLERY is pleased to participate in 2023 Affordable Art Fair Shanghai, presenting a selection of works by artists Guo Yujian, Hannah Benassi, Shi Yiran, Xu Danqing, and Yan Qing in booth W10.  

 

Collection Preview

2023.6.8   14:00-21:00

VIP Preview

2023.6.9   12:00-20:00

Public Days

2023.6.10   12:00-20:00

2023.6.11   12:00-18:00

 Venue  

Shanghai Exhibition Center, 1000 Yan’an Middle Road, Jing’an District, Shanghai, China

Artists

Guo Yujian

Hannah Benassi

Shi Yiran

Xu Danqing

Yan Qing

 

On site

 

About Works

(Introducing some of the exhibited works)

Not holding hands yet, 2022, Oil on board, 50x50cm

Yujian Guo  lives and works in Changsha, Hunan Province. He graduated from the Painting Department of the Academy of Fine Arts in Florence, Italy in 2015.

His creations usually focus on mythology and personal memory, preferring to use thin and delicate techniques to create a romantic and lasting atmosphere.

Yujian Guo does not intentionally design and arrange the graphic content in the paintings during his creation. His understanding of painting is based on the act of painting itself. The accumulation of knowledge or theory is to make his intuition more intuitive. Simple and effective, he does not directly appropriate ready-made icons. Everything in the painting appears after he allows his intuition to lead him. In Yujian Guo ‘s view, the process of painting is more important than being designed and step-by-step to achieve a certain effect. The charm of painting art is to present “intuitive timeliness” through human hands, and it can automatically express itself through various cultural contexts. There will be different works produced. Yujian Guo ‘s study in Italy helped him to understand Western classical art more deeply in the contemporary context. The artist combined his own aesthetic preferences, knowledge accumulation and painting skills to create a style of work that has both classical temperament and contemporary visual effects. Therefore, Yujian Guo The classical temperament revealed in his works is a combination of Chinese and Western origins.

 

Meeting of Calico, 2018, Oil on canvas, 43x60cm

Hannah Benassi is a Scottish abstract painter who lives and works in Edinburgh.

After graduating from the Jordanstone School of Art and Design at the University of Dundee in 2019 with a first-class honors bachelor’s degree in fine art, Hannah Benassi continued her studies at the Glasgow School of Art and the University of Glasgow, earning a bachelor’s degree in 2020. Honors MA in Contemporary Art Curatorial Practice.

In 2019 Hannah Benassi received the Farquhar Reid Trust Award and was nominated for a Saatchi Arts Rising Star. Following her artistic practice in Scotland, her work has been exhibited in the UK and Portugal and will continue to be exhibited around the world.

 

Car Wash, 2020, Acrylic on board, 36x48cm

Yiran Shi was born in 1983. In 2017, he graduated from the Oil Painting Department of China Academy of Art with a doctorate degree. In 2019, he was a visiting scholar in the Department of Art and Architectural History at the University of Pittsburgh and a lecturer in the Oil Painting Department of the China Academy of Art.

Yiran Shi is good at depicting “super-sensual” and strange enchantments with realistic techniques. Committed to exploring the semantics of color itself, releasing the grammar of color itself with values ​​that are almost beyond the color gamut, allowing light and color to become a constantly emerging reality. At the same time, the details of the painting are dissolved into the whole, returning painting to painting in a simple way. She borrowed the technique of layering colors from printmaking to turn the brush strokes into simple intervals, thereby more clearly demonstrating the dimension of time. He also uses collage sparingly, allowing traces from industrial and printing culture and fragments from different image systems to intervene in the painting. The slight sense of production and the written brushstrokes collide with each other to create a surrealist poetry.

 

Green rhythm I, 2020, Acrylic on paper, 56x76cm

Danqing Xu was born in Changzhou, Jiangsu in 1987. Graduated from the Oil Painting Department of China Academy of Art in 2016 and currently lives and works in Hangzhou, Zhejiang.

Her works speak of smells, melodies, colors and other unquantifiable visual sensations. The work excludes linear time narrative and uses the extension and interweaving of color blocks to create an abstract spatial tone. There is a certain “inner voice” in her paintings, from which infinite emotions and notes emerge, each voice yearning for truth, peace and freedom.

 

Different, 2023, Tempera, 35x68cm

Qing  Yan was born in Hunan in 1988.In 2015, he studied in the Tempera training class of the Oil Painting Department of the Central Academy of Fine Arts. He graduated from the oil painting major of the Academy of Fine Arts of Hunan Normal University with a bachelor’s degree and a master’s degree.

She loves the naturalness and purity of Tempera paintings, and focuses on the spiritual exploration of the spirit of nature.

“Painting and creating is a way of life for me and something I want to continue.” Artist Yan Qing uses Tempera as a communication medium and the spirituality and wisdom of trees as a language. The painting context is quiet and healing.

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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