Slide

练武术还是迪斯科?

Exhibition

练武术还是迪斯科?

从大众到后科技时代的娱乐

艺术家:胡向前、贾淳、刘立宏、刘沁敏、清水惠美、黑米·沃什、王梓全、张永基、张钊瀛
策展人:李泊岩

2020.10.1-2020.11.11

随着现代化战争的演变,近身搏击早已被科技战争、金融战争,甚至网络战争所取代。武术被西方称为“中国功夫”,自上世纪60年代起,随着功夫电影在欧美的流行,曾成为西方流行的娱乐健身活动。

它丧失了原有的攻击及防身目的,转而成为养生、健身的大众娱乐。

如果说武术代表了一种过去的生产关系,就像传统的艺术一样,强调流派、技术、磨练、封闭式教学。迪斯科则是“现代性”的产物,它以低技术含量、即兴发挥、开放性、社交性、无流派性为主要特征。几乎在“功夫热”兴起的同时期,迪斯科诞生并风靡全球。自上世纪80年代起它随着港台文化的流行而风靡大陆。迪斯科的目的可以说是为了对抗无聊、寻求刺激和快乐、扩大社交等,这验证了当下人类最大的敌人已经不是他人,而是自己内心的空虚。武术的热度正在下降,迪斯科的影响却蔓延至街角,使它成为本土化的大众娱乐项目;最终它们在同一时代和同一国度中平行存在,它们都反映了时代变迁的无奈。

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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