Slide

Kong Fu Or Disco?

Exhibition

Kong Fu Or Disco?

Artists: HU Xiangqian, JIA Chun, LIU Lihong, LIU Qinmin, Megumi Shimizu, Rémi Voch, WANG Ziquan, ZHANG Yongji, ZHANG Zhaoying
Curator: LI Boyan

2020.10.1-2020.11.11

With the evolution of modernism, close combat has been replaced by technological competition, financial warfare, and even cyber warfare.

“Wushu” is called “Kung Fu” in the West. Since the 1960s, with the popularity of Kung Fu movies in Europe and America, it has become a popular entertainment and fitness activity in the West. It loses its original purpose of attack and selfdefense, and becomes a popular entertainment for health preservation and fitness.

If martial arts represents a past production relationship, just like traditional art, it emphasizes genre, technique, training, and closed teaching. Disco is a product of “modernity”, which is characterized by low-tech, improvisation, openness, sociality, and non-genre. Almost at the same time that “Kung Fu fever” was on the rise, disco was born and became popular all over the world. Since the 1980s, it has swept the mainland with the popularity of Hong Kong and Taiwan culture.

The purpose of disco can be said to be to fight boredom, seek excitement and happiness, expand social interaction, etc. This proves that the greatest enemy of mankind at the moment is no longer others, but the emptiness of one’s heart. The popularity of martial arts is declining, but the influence of disco has spread to street corners, making it a localized mass entertainment project; in the end, they exist in parallel in the same era and in the same country, and they all reflect the helplessness of the changing times.

Exhibitions

过往展览

2023/07/22-10/09

Please,Do Mind The Gap

June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.
2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

ARCH 采访 | 郑江

“边界惊险但精彩,像绘制一个形象生动的轮廓线时一样充满诱惑力。我觉得创作过程本身就包含对艺术形式的思考,两者应该是一体、贴切的。”

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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