Slide

Reverse Amplification

Exhibition

Reverse Amplification

Artists: Lu Liantao/Yan Kai
Producer:Wen Jing

2019.12.12~2020.01.20

We are honored to launch the exhibition “reverse amplification” ,this exhibition will last until January 20, 2020.

“Reverse” is both the source and the opposite. Lu Liantao and Yan Kai think that deconstruct and enlarge the sparse and ordinary scenes in their daily life, which makes their works full of observation perspectives that need us to reshape.

In the urban space full of high-density anxiety, the multiple integration and collision of social form and life style are affected by the two pole game of part and whole, abstract and concrete, individual and society. With the continuous development of technological innovation, the living environment of human beings has formed a deep dialogue and explored the way of coexistence. In this dialogue, high-quality thinking and expression are urgently needed. Artists with experimental spirit inject their novel perspectives into their works, go deep into the humanities, form creative forms with different styles, and provide outlets for the gathered emotions. In this exhibition, we will experience more intense and extreme emotional concentration.

The opposite, absurd and ironic speculative meaning lies in teacher Yan Kai’s paintings, silently discussing such grand propositions as the cultural differences between the East and the west, the powerlessness of life, and consumerism.

Mr. LV liantao is trying to plunder your peace and provoke everyone’s sensitive and fragile nerves, which will trigger the body movements of anxiety, irritability and resistance to emotion to be enlarged, doubled and repeated without any politeness. They are undoubtedly keen insight and thinker, but also sharp creators and Expressionists.

Works of art are often related to personal life. The theme exhibition of reverse amplification will restore the core of two artists’ works, provide comfortable and free context for the creator and the receiver. The two artists listen, visualize and seek for the self and the external world, forming their own rich and improved language system, which is the evidence of their own life Through the opportunity of this exhibition.

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Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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