Slide

Reverse Amplification

Exhibition

Reverse Amplification

Artists: Lu Liantao/Yan Kai
Producer:Wen Jing

2019.12.12~2020.01.20

We are honored to launch the exhibition “reverse amplification” ,this exhibition will last until January 20, 2020.

“Reverse” is both the source and the opposite. Lu Liantao and Yan Kai think that deconstruct and enlarge the sparse and ordinary scenes in their daily life, which makes their works full of observation perspectives that need us to reshape.

In the urban space full of high-density anxiety, the multiple integration and collision of social form and life style are affected by the two pole game of part and whole, abstract and concrete, individual and society. With the continuous development of technological innovation, the living environment of human beings has formed a deep dialogue and explored the way of coexistence. In this dialogue, high-quality thinking and expression are urgently needed. Artists with experimental spirit inject their novel perspectives into their works, go deep into the humanities, form creative forms with different styles, and provide outlets for the gathered emotions. In this exhibition, we will experience more intense and extreme emotional concentration.

The opposite, absurd and ironic speculative meaning lies in teacher Yan Kai’s paintings, silently discussing such grand propositions as the cultural differences between the East and the west, the powerlessness of life, and consumerism.

Mr. LV liantao is trying to plunder your peace and provoke everyone’s sensitive and fragile nerves, which will trigger the body movements of anxiety, irritability and resistance to emotion to be enlarged, doubled and repeated without any politeness. They are undoubtedly keen insight and thinker, but also sharp creators and Expressionists.

Works of art are often related to personal life. The theme exhibition of reverse amplification will restore the core of two artists’ works, provide comfortable and free context for the creator and the receiver. The two artists listen, visualize and seek for the self and the external world, forming their own rich and improved language system, which is the evidence of their own life Through the opportunity of this exhibition.

Exhibitions

过往展览

2023/07/22-10/09

Please,Do Mind The Gap

June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.
2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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