Slide

ARCH PRIVATE| Flight at a stone’s throw

Flight at a stone’s throw

Artist: Xiaobing Huang

Curator: Yu Xie

2023.07.22-2023.10.09

 

ARCH GALLERY is pleased to announce that the Arch Private space located on the fifth floor of Arch Gallery will be opened to the public for the first time. On July 22, 2023, artist Xiaobing Huang’s solo exhibition “Flight at a stone’s throw” will be presented, displaying approximately 258 of his sculptures, installations, paintings, etc. piece of art.

 

We will eventually stop flying,
Following a path with an unidentified destination.
This is a journey,
The scenery changes with the sun and moon,
The landform may be unpredictable,
But the conversation of time,
It is an existence that will eventually transcend dimensions.

 

Preface

The history of human civilization is closely related to animals and plants.

The symbiotic relationship between man and nature contains rich connotations of the times and philosophical implications. The two restrict each other and maintain balance. The opposition and unity reflected during this period are also projected into the fields of natural philosophy, social philosophy, and philosophy of life.

Xiaobing Huang  is an artist who uses multi-dimensional techniques to present his concepts. He does not stick to his comfortable and proficient painting skills, but pursues the perfect presentation of concepts – using ceramics, sculptures, photography, and installations to interpret modern nature and social issues. In this exhibition, he uses the animal form surrounding the “bird” as the main symbol, and uses various material contexts for artistic expression.

His works contain discussions on the relationship between nature and life, individuals and group images. In the images of “birds” of different shapes, he blends and decomposes the concrete symbols of various animals. The deformed body, various forms and expressions create different contexts. But at the same time, their ever-contracted wings are the author’s representative symbol.

This is the author’s realistic mapping of observations on life, nature, individuals, and groups. When a single bird is placed in space, it is a collision between the individual and the environmental symbol. And when multiple sculptures are combined into a group image, there will be mutual influence, pull and balance between individuals of different shapes. The appearance of the work is rich and varied, including the color of the glaze, the roughness of the soil, and the lines carved by the knife. These appearances are hidden in the artist’s slightly sad and pessimistic figurative expression, and they are projected out, as if they are telling the story of individual life and the natural environment. The uneasiness and powerlessness of strange changes.

However, the author did not respond negatively to the current situation, but responded with a gentle, childlike, and innocent attitude. This is his re-understanding, examination and expression of life. Viewers will follow the context of the work and experience what the artist describes. They will trigger strong emotions in us and prompt us to continue to think and continue.

 

Installation view

Exhibitions

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Flower For Algernon

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Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

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10.00am – 6.00pm

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Yinjiachong Rd, Tianxin District
410000 Changsha

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