Slide

可言

Exhibition

可言

艺术家:戈子馀、郭梦垚、黄佳、Ingrid Ledent(比利时)、李迪、刘可、柳溪、庞海龙、王智一、王满
策展人:张婷

2019.10.01-2019.12.01

無同空间荣幸推出以抽象艺术为主题的群展 《可言》(To Speak)。参展的十位艺术家在抽象艺术的长期研习创作的道路上,实践出具有视觉能量的点、线、面、形状和色彩的图像符号,这批符号将在展览现场相互碰撞交织,呈现出多元的视觉感受,带给大家不同的精神体验。

关于展览主题,《可言》来自《庄子·天道》中提到的 “意之所随者,不可以言传也”。策展人张婷认为此中的“不言”并不是彻底的缄默,而是一种平和自然的言说方式,以避免语虚玄枉。

对于抽象艺术来说,“无言”只是它的表达方式,它用它的语言诉说着人类的美学感受,所以抽象艺术非但可言,并且还可以从不同的逻辑维度去解读。

“可言”的现场将会从视觉、形式、情感等方面,在無同空间900余平的场地中分割、组合成一个个空间。在这里,“看懂”不是必要条件,你只需要顺从自己的内心,享受艺术带来的触动,感受与作品产生的共鸣。

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Producer: Wenjing

Flower For Algernon

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Curator: Xinyu Wong
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闪闪的信号

艺术家:齐乐
策展人:文静
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拱形浪:超越地缘的界限

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策展人:心钰

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH 采访 | 郭宇剑

从那时起我尝试让白日梦式的想象力渗到画面中去,那些较早之前象征意味较浓的图示也被自然地冲淡了。或许正是因为这种像是被什么浸润过的画面所流淌出的气质和一些与现实相违和的图像内容才造成了类似梦境似的联想。

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

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10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

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湖南省长沙市天心区殷家冲路
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