Slide

阁楼上的巨人

Exhibition

阁楼上的巨人

艺术家:陈子丰

2021.01.17 - 2021.02.27

陈子丰的作品拥有一种让人感到紧张不安的气质,如同我们窥⻅那躲藏在阁楼上的巨人,顿时我们会有一丝好奇、迷失甚至是恐慌。

阁楼是一个隐秘的、黑暗的、拥挤的、或是被遗忘的存在,人们有时会视它为一个逃离现实的小世界,这屋顶轻薄的隔板之上已然成为了一个存储记忆和情感的大盒子。

陈子丰早年接受了中国传统绘画的系统训练,他拥有娴熟的技巧与表达。多重情绪与创作动机在实践中不断沉淀和累积,一直增加着画中形象的重量感,仿佛压得那阁楼吱吱作响,被压抑的对话骚动了起来。人既非生而自由,生存也非绝对自由,在历史无法为前进提供帮助之时,当代人又选择性地忘却了前人的种种“遗迹”,我们是否还拥有着可被追溯的根源呢?面对着这些建筑于空洞的、易坍塌的地基之上的房屋,陈子丰一直在沉默地修补,在他自己的空中阁楼里天真并勇敢地坚守着一种文化的自信与重塑。

艺术家所创造的巨人形象并非为讨好而存在,它们好似携带着被压抑的欲望出生,成长为一种 “扭曲”的有机结构。暧昧丰满的肉体、板滞的眼神和赛博的色彩背后是那些在暗处的膨胀与不安。这些张力并非仅存于画面之中,而其恰恰如同一面镜子,映射出夹在中国传统观念与现代文明之中的中国人的内心世界。

巨人们不会永远蜷缩于阁楼之上,因其对于整个房屋隐秘的威胁,他们会试图诱惑我们进入阁楼内。在我们和这些巨人们面对面时,我们的躯体缓缓的舒展开来……

Exhibitions

过往展览

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie
2023/07/22-10/09

Please,Do Mind The Gap

June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

© 2021  Arch Gallery all rights reserved. Email: info@archgallery.net
Site by XYCO