Slide

练武术还是迪斯科?

Exhibition

练武术还是迪斯科?

从大众到后科技时代的娱乐

艺术家:胡向前、贾淳、刘立宏、刘沁敏、清水惠美、黑米·沃什、王梓全、张永基、张钊瀛
策展人:李泊岩

2020.10.1-2020.11.11

随着现代化战争的演变,近身搏击早已被科技战争、金融战争,甚至网络战争所取代。武术被西方称为“中国功夫”,自上世纪60年代起,随着功夫电影在欧美的流行,曾成为西方流行的娱乐健身活动。

它丧失了原有的攻击及防身目的,转而成为养生、健身的大众娱乐。

如果说武术代表了一种过去的生产关系,就像传统的艺术一样,强调流派、技术、磨练、封闭式教学。迪斯科则是“现代性”的产物,它以低技术含量、即兴发挥、开放性、社交性、无流派性为主要特征。几乎在“功夫热”兴起的同时期,迪斯科诞生并风靡全球。自上世纪80年代起它随着港台文化的流行而风靡大陆。迪斯科的目的可以说是为了对抗无聊、寻求刺激和快乐、扩大社交等,这验证了当下人类最大的敌人已经不是他人,而是自己内心的空虚。武术的热度正在下降,迪斯科的影响却蔓延至街角,使它成为本土化的大众娱乐项目;最终它们在同一时代和同一国度中平行存在,它们都反映了时代变迁的无奈。

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Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

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When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

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“边界惊险但精彩,像绘制一个形象生动的轮廓线时一样充满诱惑力。我觉得创作过程本身就包含对艺术形式的思考,两者应该是一体、贴切的。”

ARCH 采访 | 梁浩

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