Slide

练武术还是迪斯科?

Exhibition

练武术还是迪斯科?

从大众到后科技时代的娱乐

艺术家:胡向前、贾淳、刘立宏、刘沁敏、清水惠美、黑米·沃什、王梓全、张永基、张钊瀛
策展人:李泊岩

2020.10.1-2020.11.11

随着现代化战争的演变,近身搏击早已被科技战争、金融战争,甚至网络战争所取代。武术被西方称为“中国功夫”,自上世纪60年代起,随着功夫电影在欧美的流行,曾成为西方流行的娱乐健身活动。

它丧失了原有的攻击及防身目的,转而成为养生、健身的大众娱乐。

如果说武术代表了一种过去的生产关系,就像传统的艺术一样,强调流派、技术、磨练、封闭式教学。迪斯科则是“现代性”的产物,它以低技术含量、即兴发挥、开放性、社交性、无流派性为主要特征。几乎在“功夫热”兴起的同时期,迪斯科诞生并风靡全球。自上世纪80年代起它随着港台文化的流行而风靡大陆。迪斯科的目的可以说是为了对抗无聊、寻求刺激和快乐、扩大社交等,这验证了当下人类最大的敌人已经不是他人,而是自己内心的空虚。武术的热度正在下降,迪斯科的影响却蔓延至街角,使它成为本土化的大众娱乐项目;最终它们在同一时代和同一国度中平行存在,它们都反映了时代变迁的无奈。

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

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ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

ARCH REVIEW | 在倦意来临时服药

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Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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