Slide

無同的朋友们

Exhibition

無同的朋友们

艺术家:蔡采贝、迟群、方力钧、付斌、郭东来、王礼军、吴梦诗、朱佩鸿
出品人:文静 / 策展人:曲音

2019.7.28-2019.9.22

当传统的艺术媒介与表达方式不再能担当今天创作思想的文化符号时,与时代发展密切相关的、新的艺术创作路径也就应运而生。

而在“同”的大背景下,如何保持创作中本源的、批判的、实验的、创造性的部分与大众最恰当的距离就变得极其关键,也使得此时的“同”与“不同”更具有被探讨的价值和意义。

这个夏天,“無同”空间将迎来首展的启幕。受邀参展的8位艺术家蔡采贝、迟群、方力钧、付斌、郭东来、王礼军、吴梦诗、朱佩鸿将在“無同”向大家展现他们对于形体、动态、痕迹、物质、空间、图像等方面的探索与尝试,以不同的途径传达与时代属性相关的矛盾及困惑。

很荣幸作为“無同”首展的策展人,也感激能有机会切身参与到家乡长沙的当代艺术事业中。“無同”年轻的创始人不仅对艺术有着独到的鉴赏力,更对长沙乃至中国当代艺术的发展抱有超越年龄的前瞻性与责任感。当代艺术的发展需要土壤,更需要切实的“保护机制”,期待“無同”能成为中国当代艺术的新阵地,也成为那些敢于挑战的新锐艺术家的坚实后盾。

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Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH 采访 | 郑江

“边界惊险但精彩,像绘制一个形象生动的轮廓线时一样充满诱惑力。我觉得创作过程本身就包含对艺术形式的思考,两者应该是一体、贴切的。”

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

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