Slide

「 VARIOUS DIVERSIONS : Different, Potential, Flowing 」

Exhibition

「 VARIOUS DIVERSIONS : Different, Potential, Flowing 」

Artists: Bu Yunjun, Hu Qingtai, Li Pengpeng, Shao Jie, Shi Yiran, Hao Jingfang & Wang Lingjie, Xu Danqing, Xue Ruozhe, Yang Xi,Yu Feier

Curator:Zhang Yingying

 2023.05.05-2023.07.09

The exhibition context of ‘VARIOUS DIVERSIONS : Different, Potential, Flowing’ is the process of returning to a vibrant individual narrative after the fragmentation of a grand social narrative.

The exhibition presents two dimensions of consideration: First, the exhibition is completed under the influence and intervention of many conditions and paths, where conditions are both a restriction and a space for creative ideas; Second, the exhibition is a mixture of many different paths, i.e. many different elements of different artists. Each artist has his or her own unique path, his or her own ability and vision to see the world, and “The Divergent Paths” is a collective presentation of these paths. There are no symbolic works of the times here, but rather a collection of many “solitary works”, namely the individual spirit of the “ego”, some of the most direct responses.

“…… comes to suggest what has not yet been presented, what will happen, in the depiction of semantic ambiguity puns.” — Xue Ruozhe

“Shells and vessels.” — Feier Yu

“My sculptures are the DNA of a unique form of work generated by interweaving the characteristics of complex and huge natural life forms with the mechanized productivity of current technology.”–Yang Xi

“Art creation is like traveling, traveling to the end of the water, sitting and watching the clouds rise.” — Hu Qingtai

“‘Button’ and ‘clasp’, both independent of each other while activating each other; I use it as a metaphor for many relationships, materials and materials, sentences and sentences, propositions and arguments.” — Shao Jie

“The sun is the closest star to us.” — Hao Jingfang & Wang Lingjie

“Working with photographs as material always dwells on concrete objects, and my work eventually becomes how to tear apart the concrete image and put something else in the cracks. Resisting the image becomes the focus of my work.” — Bu Yunjun

“What is missed and what is caught have their own beauty; the eternity of art is about countless moments in time.” — Xu Danqing

“If I am surreal, it doesn’t mean I have to create surreality. My body is surreal, my organs are surreal, and everything I hear and see is surreal. We seem to be in the same environment but not in it.” –Pengpeng  Li

“The childlike greed of watching the world and the greed of leaving traces of my own visual translation may be the destiny of my choice of painting even today.” –Shi Yiran

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Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

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湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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