Slide

史怡然

史怡然

艺术家

Thanksgiving Day, 木板丙烯,28x36cm, 2019

出生于1983年,现工作生活在杭州

2017年毕业于中国美术学院油画系,获博士学位

史怡然擅长以写实手法描绘“超感”和异样 的魅境。致力于对色彩自身语义的探索,以近乎超色域的数值释放 颜色自身的语法,让光和色彩成为不断涌现的实在。

她借用版画中层层叠色的手法,让笔触变成单纯的区间,从而更明确地彰显时间的维度。也节制地使用拼贴,让来自工业及印刷文化的痕迹、来自不同图像系统的碎片介入绘画,略带制作感的刻痕与书写性的笔触碰撞出超现实主义的诗意。

2017 “孔雀镇”,(雅托比画廊,北京)

2021 “mirage”,L+(鉴衡里8号)杭州

2008 第三届全国青年美展,(中国美术馆)

2009 “藝術の景”当代艺术展,(日本东京艺术大学美术馆)

2009 第11届全国美展,(湖北美术馆)

2009 “叙事中国”:第四届成都双年展新人特展,(成都现代艺术馆)

2011 吾土吾民油画邀请展,(浙江美术馆)

2015 “乌托邦之后”—— Paratissima 艺术博览会中国馆主题展,(意大利都灵国际会展中心)

2016 重置已知,(上海 Mao Space)

2016 超越乌托邦,(意大利 Castello Di Rivara 当代美术馆)

2016 无定之形,(北京应空间)

2017 “乐园:异化的记忆”三人展,(北京成当代艺术中心)

2017 不可思议,(上海艺术门画廊)

2018 暗流,(上海艺术门画廊)

2018 绘画中的秩序,(北京N3画廊)

2019 Pal(ate)/ette:沪申画廊开幕展,(上海SAG沪申画廊)

2019 未来脚本,(上海艺术门画廊)

Sink,木板丙烯,28x36cm, 2019

Chevrolet,木板丙烯,28x36cm, 2019

Bride’s Room, 木板丙烯,36x28cm,2019

Breakfast,木板丙烯,72x54cm,2021

Exhibitions

过往展览

2023/07/22-10/09

Please,Do Mind The Gap

June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.
2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西

Art Channel

艺术频道

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

豆豆也是拳拳

1985年在北京中国美术馆举办的《劳申伯格艺术展》让中国人近距离地看到了“后现代艺术”的形态,这些展品让中国观众目瞪口呆:山羊的标本,汽车的轮胎,废弃的地毯组成了前所未见的图腾。在展览期间,保洁员差一点把作品误作是垃圾清理。

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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