Slide

史怡然

史怡然

艺术家

Thanksgiving Day, 木板丙烯,28x36cm, 2019

出生于1983年,现工作生活在杭州

2017年毕业于中国美术学院油画系,获博士学位

史怡然擅长以写实手法描绘“超感”和异样 的魅境。致力于对色彩自身语义的探索,以近乎超色域的数值释放 颜色自身的语法,让光和色彩成为不断涌现的实在。

她借用版画中层层叠色的手法,让笔触变成单纯的区间,从而更明确地彰显时间的维度。也节制地使用拼贴,让来自工业及印刷文化的痕迹、来自不同图像系统的碎片介入绘画,略带制作感的刻痕与书写性的笔触碰撞出超现实主义的诗意。

2017 “孔雀镇”,(雅托比画廊,北京)

2021 “mirage”,L+(鉴衡里8号)杭州

2008 第三届全国青年美展,(中国美术馆)

2009 “藝術の景”当代艺术展,(日本东京艺术大学美术馆)

2009 第11届全国美展,(湖北美术馆)

2009 “叙事中国”:第四届成都双年展新人特展,(成都现代艺术馆)

2011 吾土吾民油画邀请展,(浙江美术馆)

2015 “乌托邦之后”—— Paratissima 艺术博览会中国馆主题展,(意大利都灵国际会展中心)

2016 重置已知,(上海 Mao Space)

2016 超越乌托邦,(意大利 Castello Di Rivara 当代美术馆)

2016 无定之形,(北京应空间)

2017 “乐园:异化的记忆”三人展,(北京成当代艺术中心)

2017 不可思议,(上海艺术门画廊)

2018 暗流,(上海艺术门画廊)

2018 绘画中的秩序,(北京N3画廊)

2019 Pal(ate)/ette:沪申画廊开幕展,(上海SAG沪申画廊)

2019 未来脚本,(上海艺术门画廊)

Sink,木板丙烯,28x36cm, 2019

Chevrolet,木板丙烯,28x36cm, 2019

Bride’s Room, 木板丙烯,36x28cm,2019

Breakfast,木板丙烯,72x54cm,2021

Exhibitions

过往展览

2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.08.06-10.09

Dangerous Complicity

Artist:Guo Yujian
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西
2022.08.06-10.09

危险同谋

艺术家:郭宇剑

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 郑江

“边界惊险但精彩,像绘制一个形象生动的轮廓线时一样充满诱惑力。我觉得创作过程本身就包含对艺术形式的思考,两者应该是一体、贴切的。”

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10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

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