Slide

史怡然

史怡然

艺术家

Thanksgiving Day, 木板丙烯,28x36cm, 2019

出生于1983年,现工作生活在杭州

2017年毕业于中国美术学院油画系,获博士学位

史怡然擅长以写实手法描绘“超感”和异样 的魅境。致力于对色彩自身语义的探索,以近乎超色域的数值释放 颜色自身的语法,让光和色彩成为不断涌现的实在。

她借用版画中层层叠色的手法,让笔触变成单纯的区间,从而更明确地彰显时间的维度。也节制地使用拼贴,让来自工业及印刷文化的痕迹、来自不同图像系统的碎片介入绘画,略带制作感的刻痕与书写性的笔触碰撞出超现实主义的诗意。

2017 “孔雀镇”,(雅托比画廊,北京)

2021 “mirage”,L+(鉴衡里8号)杭州

2008 第三届全国青年美展,(中国美术馆)

2009 “藝術の景”当代艺术展,(日本东京艺术大学美术馆)

2009 第11届全国美展,(湖北美术馆)

2009 “叙事中国”:第四届成都双年展新人特展,(成都现代艺术馆)

2011 吾土吾民油画邀请展,(浙江美术馆)

2015 “乌托邦之后”—— Paratissima 艺术博览会中国馆主题展,(意大利都灵国际会展中心)

2016 重置已知,(上海 Mao Space)

2016 超越乌托邦,(意大利 Castello Di Rivara 当代美术馆)

2016 无定之形,(北京应空间)

2017 “乐园:异化的记忆”三人展,(北京成当代艺术中心)

2017 不可思议,(上海艺术门画廊)

2018 暗流,(上海艺术门画廊)

2018 绘画中的秩序,(北京N3画廊)

2019 Pal(ate)/ette:沪申画廊开幕展,(上海SAG沪申画廊)

2019 未来脚本,(上海艺术门画廊)

Sink,木板丙烯,28x36cm, 2019

Chevrolet,木板丙烯,28x36cm, 2019

Bride’s Room, 木板丙烯,36x28cm,2019

Breakfast,木板丙烯,72x54cm,2021

Exhibitions

过往展览

Glittering Signals

Aritist:Qi Le
Curator:Wenjing
2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong
2024.6.7

闪闪的信号

艺术家:齐乐
策展人:文静
2024.3.10

拱形浪:超越地缘的界限

艺术家:陈牧甜,胡龙祥,黄晓亮,李赢,罗明君,马丙,邹建平
策展人:心钰

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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