Slide

史怡然

史怡然

艺术家

Thanksgiving Day, 木板丙烯,28x36cm, 2019

出生于1983年,现工作生活在杭州

2017年毕业于中国美术学院油画系,获博士学位

史怡然擅长以写实手法描绘“超感”和异样 的魅境。致力于对色彩自身语义的探索,以近乎超色域的数值释放 颜色自身的语法,让光和色彩成为不断涌现的实在。

她借用版画中层层叠色的手法,让笔触变成单纯的区间,从而更明确地彰显时间的维度。也节制地使用拼贴,让来自工业及印刷文化的痕迹、来自不同图像系统的碎片介入绘画,略带制作感的刻痕与书写性的笔触碰撞出超现实主义的诗意。

2017 “孔雀镇”,(雅托比画廊,北京)

2021 “mirage”,L+(鉴衡里8号)杭州

2008 第三届全国青年美展,(中国美术馆)

2009 “藝術の景”当代艺术展,(日本东京艺术大学美术馆)

2009 第11届全国美展,(湖北美术馆)

2009 “叙事中国”:第四届成都双年展新人特展,(成都现代艺术馆)

2011 吾土吾民油画邀请展,(浙江美术馆)

2015 “乌托邦之后”—— Paratissima 艺术博览会中国馆主题展,(意大利都灵国际会展中心)

2016 重置已知,(上海 Mao Space)

2016 超越乌托邦,(意大利 Castello Di Rivara 当代美术馆)

2016 无定之形,(北京应空间)

2017 “乐园:异化的记忆”三人展,(北京成当代艺术中心)

2017 不可思议,(上海艺术门画廊)

2018 暗流,(上海艺术门画廊)

2018 绘画中的秩序,(北京N3画廊)

2019 Pal(ate)/ette:沪申画廊开幕展,(上海SAG沪申画廊)

2019 未来脚本,(上海艺术门画廊)

Sink,木板丙烯,28x36cm, 2019

Chevrolet,木板丙烯,28x36cm, 2019

Bride’s Room, 木板丙烯,36x28cm,2019

Breakfast,木板丙烯,72x54cm,2021

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 郭宇剑

从那时起我尝试让白日梦式的想象力渗到画面中去,那些较早之前象征意味较浓的图示也被自然地冲淡了。或许正是因为这种像是被什么浸润过的画面所流淌出的气质和一些与现实相违和的图像内容才造成了类似梦境似的联想。

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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