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上海021
当代艺术博览会

Art Fairs

上海021
当代艺术博览会

上海展览中心-延安中路1000号
展位P04 無同空间

無同空间于2020年上海ART021中呈现查理·希尔德 (Charlie Sheard)、梁浩、刘沁敏、葛雅静和太平的作品。展位空间中,梁浩的作品探讨个体超越时空和突破物质的可能性,是虚幻意向构建与真实记忆的纠缠。情绪克制与超理性的逻辑结构相结合,用具象的现实形态来描绘抽象的虚拟情感,给人一种想要靠近的真实又难以捉摸的想象。“白昼之光,岂知夜色之深”,梁浩的作品看似配色简单,实则是为了剔除不必要的情感宣泄,以平静的视觉感官,带入强烈的内心共鸣。

在葛雅静的作品中,一种原始的、慢性的且难以挣扎开的刺痛隐藏在那些反复出现的拳、脚、牙齿和身体等元素里。葛雅静的作品长期保持着质朴的气息,不论真实世界如何变化,艺术家选择保持原初。

在太平的两幅作品里,艺术家用戏谑的方式表达将自己假设为一个被实验对象、被批判对象,利用自己的实践来讽刺那早已僵化的,意识形态层面的欺骗。由此,他成为了一种仿真,一种与模仿的形象相反的,排除了相似性,以差异为食的存在。在此方法论中,仿真变成了破坏范式和复制的狡猾手段。这也恰恰证明了,太平以戏谑的态度剥夺旧形式的实体内容,并以戏仿之形式再演的实践在公认范式中被视为失败时,这种“失败”在后现代的形式上是成功的。

梁浩 使它们重复出现 布面油画100x150cm 2020 (已售)

梁浩 空心之火 布面油画 150x100cm 2019-2020 (已售)

葛雅静,黑色暖阳,208x186cm, 丙烯、油彩、油粉棒,2020 (已售)

太平,李禹焕不在巴塞尔,60x60cmx2,植绒吸光布、蚕丝线、苏绣技法,2020 (已售)

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH 采访 | 郭宇剑

从那时起我尝试让白日梦式的想象力渗到画面中去,那些较早之前象征意味较浓的图示也被自然地冲淡了。或许正是因为这种像是被什么浸润过的画面所流淌出的气质和一些与现实相违和的图像内容才造成了类似梦境似的联想。

豆豆也是拳拳

1985年在北京中国美术馆举办的《劳申伯格艺术展》让中国人近距离地看到了“后现代艺术”的形态,这些展品让中国观众目瞪口呆:山羊的标本,汽车的轮胎,废弃的地毯组成了前所未见的图腾。在展览期间,保洁员差一点把作品误作是垃圾清理。

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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