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2023ART021上海廿一当代艺术博览会|展位P14

2023ART021上海廿一当代艺术博览会

展位P14

 

参展艺术家:

琼·费舍尔

史怡然

泰坦尼亚·赛尔德

林舒

 

贵宾预览日

2023/11/9-10  13:00 – 20:00

 公共观看日

2023/11/11-12 11:00 – 18:00

 

ARCH GALLERY 拱形画廊于2023年11月9日至12日在上海展览中心参加第十一届上海廿一当代艺术博览会,画廊荣幸呈现琼·费舍尔(June·Fischer)史怡然(Yiran Shi)泰坦尼亚·赛德尔(Titania Seidl)林舒(Shu Lin)四位艺术家的作品。

ART021上海廿一当代艺术博览会创立于2013年,秉承“立足本土,放眼全球”的理念,博览会汇集来自全球顶级画廊与机构,力图为画廊,艺术家,收藏家及全球艺术爱好者构筑一个专业的交流平台,分享最新当代艺术动向与想法。

这是Arch Gallery第二次参加上海ART021艺术博览会。通过本届上海艺术周,我们可以感受到行业生态的活力和包容性,同时上海这座城市的互联程度也很高。经过第一次接触,我们就能感受到ART021是一个非常高效、专业的团队,也是一个比较有成效的艺术博览会。在临近年底的阶段,此次参与是一次很好的年终总结。

 

关于本次参展作品介绍

(仅展示部分作品)

琼·费舍尔, Everyone can do what he wants because everyone stands by what he dose, 2023, 丝网印刷, 65 x 45 x 5 cm
史怡然, Bang! Bang! Bang!, 2023, 木板丙烯, 160 x 110 cm
泰坦尼亚·赛德尔, At all times both subject and object or the sister of the big skirt, 2021, 水彩、布面油画,200 x 120 cm
泰坦尼亚·赛德尔,Faces distorted into pixealted visual static voices a delayed, alien sounding crackle, 2021, 布面油画, 200 x 120  cm
泰坦尼亚·赛德尔,The painter&the rectangle (a small, unsetting intimacy) , 2017, 布面油画,  160 x 110  cm
林舒,对照记-尼基塔国⽴莫洛托夫植物园⼭麓公园的⽔池,2019, 纸上素描,彩铅,30 x 40 cm
林舒,对照记-科马罗夫植物研究所植物园内公园之一角2019, 纸上素描,彩铅,30 x 40 cm

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Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 梁浩

「IT’S A JOKE别太当回事,儿」是ARCH GALLERY拱形画廊策划的首个群展。展览从时间和空间两个维度探寻了艺术家在各自创作过程中所使用的不同方法观念。为了让大家更进一步地了解艺术家的创作理念,ARCH CHANNEL此番专访梁浩。

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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