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2023ART021上海廿一当代艺术博览会|展位P14

2023ART021上海廿一当代艺术博览会

展位P14

 

参展艺术家:

琼·费舍尔

史怡然

泰坦尼亚·赛尔德

林舒

 

贵宾预览日

2023/11/9-10  13:00 – 20:00

 公共观看日

2023/11/11-12 11:00 – 18:00

 

ARCH GALLERY 拱形画廊于2023年11月9日至12日在上海展览中心参加第十一届上海廿一当代艺术博览会,画廊荣幸呈现琼·费舍尔(June·Fischer)史怡然(Yiran Shi)泰坦尼亚·赛德尔(Titania Seidl)林舒(Shu Lin)四位艺术家的作品。

ART021上海廿一当代艺术博览会创立于2013年,秉承“立足本土,放眼全球”的理念,博览会汇集来自全球顶级画廊与机构,力图为画廊,艺术家,收藏家及全球艺术爱好者构筑一个专业的交流平台,分享最新当代艺术动向与想法。

这是Arch Gallery第二次参加上海ART021艺术博览会。通过本届上海艺术周,我们可以感受到行业生态的活力和包容性,同时上海这座城市的互联程度也很高。经过第一次接触,我们就能感受到ART021是一个非常高效、专业的团队,也是一个比较有成效的艺术博览会。在临近年底的阶段,此次参与是一次很好的年终总结。

 

关于本次参展作品介绍

(仅展示部分作品)

琼·费舍尔, Everyone can do what he wants because everyone stands by what he dose, 2023, 丝网印刷, 65 x 45 x 5 cm
史怡然, Bang! Bang! Bang!, 2023, 木板丙烯, 160 x 110 cm
泰坦尼亚·赛德尔, At all times both subject and object or the sister of the big skirt, 2021, 水彩、布面油画,200 x 120 cm
泰坦尼亚·赛德尔,Faces distorted into pixealted visual static voices a delayed, alien sounding crackle, 2021, 布面油画, 200 x 120  cm
泰坦尼亚·赛德尔,The painter&the rectangle (a small, unsetting intimacy) , 2017, 布面油画,  160 x 110  cm
林舒,对照记-尼基塔国⽴莫洛托夫植物园⼭麓公园的⽔池,2019, 纸上素描,彩铅,30 x 40 cm
林舒,对照记-科马罗夫植物研究所植物园内公园之一角2019, 纸上素描,彩铅,30 x 40 cm

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Exhibitions

过往展览

Glittering Signals

Aritist:Qi Le
Curator:Wenjing
2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong
2024.6.7

闪闪的信号

艺术家:齐乐
策展人:文静
2024.3.10

拱形浪:超越地缘的界限

艺术家:陈牧甜,胡龙祥,黄晓亮,李赢,罗明君,马丙,邹建平
策展人:心钰

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
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