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ARCH REVIEW | 在倦意来临时服药

ARCH REVIEW | 在倦意来临时服药

《在倦意来临时服药》

艺术家:林舒

文字:陈秋实

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

 

然而,由于画面中明暗与虚实的变化,模糊好像并不是一种障碍而是变成一种逼迫,目光仿佛被不断逼近于某一锚点,其可能是山间劲松的针间,又或是砖块密实的庭台。林舒所选择的这些景致从来都不是喧嚣的时代产物,而是伫立于精神深处的黑影。这些自然的、或是被传统不断投射的符号被显影于阴翳中,以至于我们不断向其中注入漫无目的的渴望。而当渴望漫出那些墨点或是雾光的团块时,现实的细节又将他们一一吸纳,从而有了具体的形状,也许影像便是如此将历史变为渴望不可及的梦魇。

我不愿将林舒的作品看作个人审美与传统的缠绕,甚至我都无法将他关于塔、关于山的作品与某种和摄影无关的历史相连。对我来说,所谓传统在艺术家创作中的展现只是一种偶合。当创造力浸盈于一方土地时,其自然就具有了忽视历史的能力。这种忽视一方面使得林舒并没有囿于当代绚丽,或是某种确凿的问题,而是借一种距离或是通道创作出神似绘画的照片又或是形似照片的绘画;另一方面,林舒也并非如古人那般一定要寻找某种出世之术,正是因为他发现并承认了他无法全然投入梦境亦或是被完全丢弃于现实,而是喘息于边缘,而所谓作品,则是他为意识划出的疆界。

Exhibitions

过往展览

Glittering Signals

Aritist:Qi Le
Curator:Wenjing
2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong
2024.6.7

闪闪的信号

艺术家:齐乐
策展人:文静
2024.3.10

拱形浪:超越地缘的界限

艺术家:陈牧甜,胡龙祥,黄晓亮,李赢,罗明君,马丙,邹建平
策展人:心钰

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
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