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ARCH REVIEW | 眼前

ARCH REVIEW | 眼前

《在你眼前》

艺术家:陈秋实、范诗磊

文字:张汀芷

 

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”[1]

艺术家依照自己的所见自由的层叠,而非用单个镜头去捕捉,当同样的场景被建构不同的边界,照片内的“道出真相”即不可被否定,却需要加以检验。若现在你眼前的,是一张熟悉的亲人或爱人的照片,我们同时看到了自己的记忆和过去的经验,而看向图像里陌生的面孔时,许多模糊的东西无法准确的获取。通过组合的图像和不同的拍摄手法,意识修补着作者的时间。

不经意或有意间获得的图像,不只是以图像本身的能量而存在。我所看到的东西在以何种方式产生意义?在二位艺术家的作品中,这些能量是对垄断进行分解和切割,同时为某些脆弱的东西创造一个领域,使其得以保存。试图排除一切形象,只是具体的、绝对的去看,那么在这个不显现“病症”的物体面前,你看见的永远是你眼中的,你将看见的也永远是你已见到的。

如果与我完全无关的东西从未出现过,为何会产生凝视?即使承认这样的认识带有个人的主观性,我还是认为《尤利西斯》中的这段话是有必要提出的:“可见事物的无可避免的形态:至少如此,如果不是更复杂,该思想通过了我的眼睛。我在此阅读一切事物的签名:浪冲上岸的鱼卵、海藻、正涨上来的潮水,那只铁锈色的靴子。鼻涕青、银灰、铁锈:颜色的符号。透明度止于此。闭上你的眼看。”

引用

References

[1] Berger, J. (2013) ‘Appearances’ In: Dyer, G. (ed.) Understanding a photograph. London: Penguin Books.

Exhibitions

过往展览

2024.3.10

Arched Wave: Beyond the Boundaries of Geography

Artists: Mutian Chen, Longing Hu, Xiaoliang Huang, Ying Li, Mingjun Luo, Bing Ma, Jianping Zou
Curator: Xinyu Wong

Arched wave: Throwing the hidden string in the discontinuity

Artists: Qiushi Chen, Yujian Guo, Mingjun Luo, Lijun Wang, Li Zhou, Wei Zhou
Producer: Wenjing

Flower For Algernon

Artists: Jing Wang/ Yiwen Zhao
Curator: Xinyu Wong

Perceptual Track

Artists: Haiqiang Guo、Hang Su、Sibo Wu、Wei Zhou
Curator: Yu Xie

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
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湖南省长沙市天心区殷家冲路
1123文创园一楼
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