Slide

闪闪的信号

Exhibition

闪闪的信号

主办方:ARCH GALLERY

艺术家:齐乐

开幕时间:2024.6.7

地点:长沙市天心区1123文创园1楼

ARCH GALLERY 拱形画廊荣幸呈现艺术家齐乐于画廊的第一次个展「闪闪的信号」(Glittering Signals) 。展览已于2024年6月7日晚开幕,将持续至7月28日,欢迎来访。

盛夏伊始,拱形画廊⾮常开⼼地宣布将于2024年6⽉7⽇⾄7⽉28⽇推出艺术家⻬乐的个展《闪闪的信号》,在⼀个没有选择回家⽽是⾛向森林深处的悠⻓的夜⾥,我们是被太阳唤醒的影⼦。任由飘忽的念头⼀起霸占身体,当⽆数个意识涌⼊,任由其涌⼊,漫⻓银河⾥,⻜蛾⼀梦,翩翩流萤。

晨光熹微,太阳初升,光斑穿过散漫的树叶照耀在家前⾯的⼩河上。今年夏天如这单调的⻦鸣⼀样显得既简单⼜跳跃,家就像⼩河的波浪,波浪是河流的呼吸声,望向这波光粼粼的⼩河碎⽚,家的景⾊也变得明亮、复杂起来。

太阳如幻,当空⽽照,垂直地俯瞰着波涛起伏的海⾯,阳光如闪闪的⽹格将世界笼罩,如飘浮的怀抱。听说⼩河会⽤尽全⼒窜⼊⼤海,海浪是⼤海的呼吸声,家就像⼤海的波浪,遥远、模糊、抗拒⼜层层叠叠。迎⾯⽽来的时间的光斑折射进房间,去触摸,是梦境的轮廓。梦的景物全部被清清楚楚、细致⼊微地暴露出来,覆盖在身上的潦草的光⾥有梦的眼睛,抓住散落的欲望,⽤⾃⼰的声⾳去说话,⽛⻮⼜碰撞在⼀起了,那是⼤海⾥扬起的⽩帆。翻个身,恍然察觉这是斑澜的记忆发出闪闪的信号。

⽣活并不是⼀幅幅均匀装配好的画,⽣活是⼀圈⼜圈明亮的光,照向⾃⼰,始终通往意识,包围着我们的是⼀个半透明的封套,把这种变化多端、不可名状、难以解说的内在精神──不论它显得多么反常和复杂,链接出连绵⼜漫⻓的线,是我的⽑发,是我回去的地⽅,伸展,我忘了盛夏来了,拿起枪。

“来⾃晨暮昼夜的惊险,新鲜。
这些实践⼯作尝试悬停在似曾相识的现实,但绝不是可以抵达的现实。这⾥是现实的反⾯,是身体的内部、突然⾛神的时空缝隙。
我的童年有很⻓⼀段时间在⼭区度过,这⽚迷⼈、吊诡的景⾊⽇后不断以各种⽅式重现——它们游荡于⽛⻮、脚踝和睫⽑之间,它们在⼀个个具体的温度⾥筑起洞⽳,我的创作实践由此展开。”
──⻬乐

2024.6.7
Categories: Uncategorised

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Art Channel

艺术频道

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH REVIEW | 眼前

当我们把“看见”这一行为比作打开一个空房间的房门,看着这件物体的视线和它存留下的痕迹像是打开门后产生的余音,我们无法准确的追寻余音回荡的轨迹。不断地“看见”,新的东西累积产生同时,不可避免的产生了遗忘与消亡。一张照片保存了一个时间的瞬间,通过回忆,某些时刻得以持续存活,不相关瞬间的外观孤立了出来成为“科学家的信息、摄影师的引用”

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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