Slide

Liang Hao

Liang Hao

Artist

The Hollow Fire, Oil on Linen, 150x100cm, 2019-2020

b. 1988, Guangdong

Graduated from The Fine Arts Department Academy of Arts & Design.

Tsinghua University. Beijng. China

Liang Hao’s works are base on Painting as the main material, at the same time, his is working on video art and installation as well.

In recently his works are focusing on the metaphors of human movement , and also involves the exploration of gender ,identity ,etc. The exhibition he once participated includes: Ming Sheng Museum, Today Museum, CAFA Art Museum. Artist residency include: ARTOMI international Artist Residency New York America. 2016 , Island Iceland offshore project, Seydisfjordur, Iceland . Liang hao was nominated twice for John Moores Painting prize.

2020 Unfloding into the Expanse . 10 CHANCERY LANE GALLERY .
HongKong . China

2019 A Kind of Gaze . Line Gallery. hiart space. Shanghai. China

2017 Image and Hunting ground . Line Gallery. Hiart Center. Beijing. China

2015 Time is stopping in front of your eyebrows .Line Gallery. Hiart Center. Beijing. China

2019  A Painting . PLATE Showcase . Beijing . China

2016 Lianghao project. OMI. New York. USA

2020 Jungle. Line Gallery. Beijing. China
Shifting Boundaries. WOOTON Gallery. ChangSha. China

2018 John Moores Painting Prize MingSheng Art Museum. Shanghai. China
VIVE LE TRAVAIL. YING SPACE. Beijing. China

Make Them Repeat, Oil on linen, 100x150cm 2020

The Hollow Fire, Oil on Linen, 150x100cm 2019-2020

Exhibitions

过往展览

2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.08.06-10.09

Eclipse

Artist:Lin Shu
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西
2022.08.06-10.09

Eclipse

艺术家:林舒

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

豆豆也是拳拳

1985年在北京中国美术馆举办的《劳申伯格艺术展》让中国人近距离地看到了“后现代艺术”的形态,这些展品让中国观众目瞪口呆:山羊的标本,汽车的轮胎,废弃的地毯组成了前所未见的图腾。在展览期间,保洁员差一点把作品误作是垃圾清理。

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

ARCH 采访 | 朱湘闽

朱湘闽的作品在愉悦的状态中,凸显了轻盈、弥散的线条与形态,层叠的不同色块和材料之间强调了艺术家自身的意识与感知。画面中直观的力量感,是艺术家对“矛盾和悖论在身体里形成完整的统一“的思考,形象间释放的情绪在思想的过滤与分解后,营造了更有流动性的感官体验。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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