Slide

葛雅静

葛雅静

艺术家

DOUDOU, 丙烯,油彩,油粉棒,200x140cm, 2020

b. 1990, Luoyang, China

Graduated from The Fine Arts Department at Nanjing Normal University

在葛雅静的作品中,一种原始的、慢性的且难以挣扎开的刺痛隐藏在那些反复出现的拳、脚、牙齿和身体等元素里。

葛雅静的作品长期保持着质朴的气息,不论真实世界如何变化,艺术家选择保持原初。

2020 POWER (無同空间,长沙)

2019 西岸艺术与设计博览会(上海西岸艺术中心,上海)

2019 SUPRA SENSE 素朴三思 视觉艺术博览会(全国农业展览馆,北京)

2019 肤色(Common Place, 北京)

2019 ANDY’S JOKE(AC Gallery, 北京)

2019 上海艺术博览会(上海世贸商城,上海)

2019 深度感知(国贸商城,北京)

2019 自由如初的力量(融科资讯中心,融空间,北京)

2019 对方正在输入…(AC Gallery, 北京)

2019 夏日艺术季(劝业场,北京)

2019 Lightly-葛辉收藏展(榕异美术馆,上海)

2019 后浪 (AC GALLERY,北京)

2019 《海洋》史莱姆引擎 线下展(没顶画廊,上海)

2018 去碑营 V-画的诞生 (应空间,北京)

2018 济南国际摄影艺术双年展实验单元 (济南)

2018 AMNUA策展研究计划 (南京艺术学院美术馆,南京)

2018 青衿计划 2018 (正观美术馆,北京)

童,丙烯,油彩,油粉棒,208x186cm, 2020

无题,丙烯,油彩,油粉棒,120x90cm, 2020

Cartoon Banana, 木头,艺术微喷,油彩,尺寸可变

Cartoon Banana (局部),木头,艺术微喷,油彩

Exhibitions

过往展览

2023/07/22-10/09

Please,Do Mind The Gap

June Fischer, Xie Yu, Arch Gallery, 1L, 1123 Cultural and Creative Park, Tianxin District, Changsha City.
2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西

Art Channel

艺术频道

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

ARCH 采访 | 薛若哲

“绘画没有办法不诚恳,这是一种无法伪装的媒介。我对绘画的诚恳和机械的、拾得的图像产生的化学反应感兴趣,尤其是当网络图像和铜板线腐蚀这种必须要经过转化才能成型的绘制方式相遇,就形成了有意思的关系。”

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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