Slide

葛雅静

葛雅静

艺术家

DOUDOU, 丙烯,油彩,油粉棒,200x140cm, 2020

b. 1990, Luoyang, China

Graduated from The Fine Arts Department at Nanjing Normal University

在葛雅静的作品中,一种原始的、慢性的且难以挣扎开的刺痛隐藏在那些反复出现的拳、脚、牙齿和身体等元素里。

葛雅静的作品长期保持着质朴的气息,不论真实世界如何变化,艺术家选择保持原初。

2020 POWER (無同空间,长沙)

2019 西岸艺术与设计博览会(上海西岸艺术中心,上海)

2019 SUPRA SENSE 素朴三思 视觉艺术博览会(全国农业展览馆,北京)

2019 肤色(Common Place, 北京)

2019 ANDY’S JOKE(AC Gallery, 北京)

2019 上海艺术博览会(上海世贸商城,上海)

2019 深度感知(国贸商城,北京)

2019 自由如初的力量(融科资讯中心,融空间,北京)

2019 对方正在输入…(AC Gallery, 北京)

2019 夏日艺术季(劝业场,北京)

2019 Lightly-葛辉收藏展(榕异美术馆,上海)

2019 后浪 (AC GALLERY,北京)

2019 《海洋》史莱姆引擎 线下展(没顶画廊,上海)

2018 去碑营 V-画的诞生 (应空间,北京)

2018 济南国际摄影艺术双年展实验单元 (济南)

2018 AMNUA策展研究计划 (南京艺术学院美术馆,南京)

2018 青衿计划 2018 (正观美术馆,北京)

童,丙烯,油彩,油粉棒,208x186cm, 2020

无题,丙烯,油彩,油粉棒,120x90cm, 2020

Cartoon Banana, 木头,艺术微喷,油彩,尺寸可变

Cartoon Banana (局部),木头,艺术微喷,油彩

Exhibitions

过往展览

2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.08.06-10.09

Dangerous Complicity

Artist:Guo Yujian
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西
2022.08.06-10.09

危险同谋

艺术家:郭宇剑

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH 采访 | 周轶伦

周轶伦的作品本质上只指向物本身,观众如何去理解其作品取决于一个时代所赋予大众的经验与记忆。“我喜欢试验失败,每次失败的剩余痕迹都是完美的新作品局部。”

ARCH REVIEW | 在倦意来临时服药

恍惚是我们长时间被某种思维或事物压制后常常落入的状态。在这个状态中,时间如流体般被我们任意搬运、搅动,又或是尽兴逐流。而林舒的作品常常通过对空间的加工让我们对影像中的实体逐渐疏远,以至于被送入一个被剥去嘈杂的心理状态,意识取代了被记忆包裹的身体,从而任意涌动。

ARCH 采访 | 郑江

“边界惊险但精彩,像绘制一个形象生动的轮廓线时一样充满诱惑力。我觉得创作过程本身就包含对艺术形式的思考,两者应该是一体、贴切的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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