Slide

Duan Yifan

Duan Yifan

Artist

Blended, Lacquer, Blended Material, 72×88 cm, 2022

Born in Zhengzhou, Henan Province in October 1989.

2008-2012 China Academy of Art, Bachelor Degree of Chinese Lacquer Art.

2012-2015 China Academy of Art, Master Degree of Chinese Lacquer Art.

Currently working and living in Hangzhou.

Today, it seems that warm lacquer products can be replaced by cold industrial products produced repeatedly. In this situation, Duan Yifan abandoned the pursuit of practical and aesthetic value of lacquer, while maintaining his sensitivity to the material itself. He uses lacquer to wrap everyday objects such as crushed stone, mirrors and folding chairs. The transparent and clear feeling presented by lacquer gives eternal life to everyday objects.

2022 “amber” ARCH PROJECT | ARCH GALLERY, Changsha, China

2020 “One /YI” Leo Gallery, Hong Kong, China

2015 “collect 2015”, Saatchi Gallery, London

2016 Hubei Wuhan International Lacquer Art Invitational Exhibition, Hubei Art Museum, Wuhan

2017 Hideout Martin Goya Business, Hangzhou

2018 Cruise — Group Exhibition of young Chinese contemporary Artists, Powerlong Art Center, Hangzhou

2022 Convection mechanics Imagination Laboratory, Tianmusli, Hangzhou
Breath Control RIVERSIDE Hangzhou
I’m OK B1OCK GALLERY Tianmu Li, Hangzhou

Bright, Lacquer, Composite Materials, 104 x 96 cm, 2022

Cracks, lacquer, synthetic, 40 x 50 cm, 2022

Differences (Milky White), Lacquer, Composite Material, 100 x 100 cm x 3 (Triptych), 2021

Stone, stone, lacquer, tile ash, pure gold powder, 2022

Apple, Apple, Lacquer, Tile Ash, linen, Pure gold foil/Gold Powder, 8 x 8.5 x 8cm, 2022

Exhibitions

过往展览

2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西

Art Channel

艺术频道

ARCH INTERVIEW | Guo Yujian

Since then, I have tried to let daydream-like imagination seep into the picture, and those earlier, more symbolic images have also been naturally diluted. Perhaps, it is precisely because of the temperament that seems to be infiltrated by the picture and some image contents that are contrary to reality that cause the association like a dream.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH 采访 | 梁浩

「IT’S A JOKE别太当回事,儿」是ARCH GALLERY拱形画廊策划的首个群展。展览从时间和空间两个维度探寻了艺术家在各自创作过程中所使用的不同方法观念。为了让大家更进一步地了解艺术家的创作理念,ARCH CHANNEL此番专访梁浩。

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

ARCH REVIEW | 制造共犯

当画作真切地逼近我们双眼,首先出现的是这首瓦雷里1922年所写的《海滨墓园》。机构策展人胡奕航、张汀芷与艺术家郭宇剑一起,将这次拱形画廊名为《危险同谋》的展览,用文字或符号分成了几大篇章:臆想、一座高原、剧场。许是有意为之,又或是无心之举,开篇选取的这段文字,饱含着诗人瓦雷里对家乡赛特港的深沉眷念。

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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