Slide

CHEN Zifeng

CHEN Zifeng

Artist

金斗云,Mixed-medium on paper,60x60cm,2019

b. 1983

Graduated from The Fine Arts Department of Central Academy of Fine Arts in 2007, Beijng, China

The artist’s works have a temperament that makes people feel nervous.

The artist is currently working and living in Beijing. The artist’s works have a temperament that makes people feel nervous. It is as if we were glancing at a giant hiding in the attic, facing away from us, doing things we could not know or understand. We would perhaps have a hint of curiosity and fear, but then turn around and leave. The attic is such a metaphor for an existence which is dark, crowded, always ignored and forgotten, and people see it as if it is not related to their own world. Thus, the thin partition on the top floor of the house becomes a big box for storing secret traces.

2020 The Giant In The Attic, Wooton Gallery, Changsha

2019 Sudden Impact of Lights, Huaian Art Museum, Huaian

2019 Parallel, Shanghai Gallery, Shanghai

2019 Confession From The Post-orthodox, The China Millennium Monument, Beijing

千里江山1,Mixed-medium on paper,240x156cm,2019

千里江山2,Mixed-medium on paper,240x166cm,2019

Characters in the story 1,Mixed-medium on paper,74x174cm,2019

The Giant 4,Mixed-medium on paper,225x102cm,2019

Exhibitions

过往展览

2022.10.22-2023.01.07

The Task of Alchemy

Artist:Zhao Yu
2022.10.22-2023.01.07

Amber

Artist:Duan Yifan
2022.10.22-2023.01.07

A N G E L U S

Artist:Hannah Benassi
2022.08.06-10.09

Dangerous Complicity

Artist:Guo Yujian
2022.10.22-2023.01.07

炼金的任务

艺术家:赵玉
2022.10.22-2023.01.07

琥珀

艺术家:段一凡
2022.10.22-2023.01.07

A N G E L U S

艺术家:汉娜·贝纳西
2022.08.06-10.09

危险同谋

艺术家:郭宇剑

Art Channel

艺术频道

ARCH REVIEW | Making Complicity

When the painting is really close to us, the first thing that appears to our eyes is this Le cimetière marin[1] written by Valéry in 1922. The curators Hu Yihang and Zhang Tingzhi, together with artist Guo Yujian, divided the exhibition “Dangerous Complicity” in the gallery into three chapters with words and symbols: imagination, a plateau, and a theatre.

ARCH REVIEW | Guo Yujian :Dangerous Complicitiy

When looking at Guo Yujian’s works, what have been depicted is always in a state of flow, and the secret words that are related to each other become images that avoid us and approach us. The work that takes shape on the canvas in our sight is yet to come, in transition, about to embrace change, and it will not push us away until the feeling is fulfil.

ARCH REVIEW | Gaze in the Dim Glow

“The Task of Alchemy”, Pocono Zhao Yu’s solo exhibition at Arch Gallery, presents a subtle sense of time traveling. As the title of the exhibition alludes to, it is as if the smelting and mysterious deeds of some spiritual objects. Within the whisper that fluttering outside of time, this enormous task is under the invisible dome of time.

豆豆也是拳拳

1985年在北京中国美术馆举办的《劳申伯格艺术展》让中国人近距离地看到了“后现代艺术”的形态,这些展品让中国观众目瞪口呆:山羊的标本,汽车的轮胎,废弃的地毯组成了前所未见的图腾。在展览期间,保洁员差一点把作品误作是垃圾清理。

ARCH REVIEW | 郭宇剑:危险同谋

在看向郭宇剑的作品时,被描绘的总是在流动的状态中,相互间有着联系的密语成为图像回避我们、又逼近我们扑面而来。我们视线内成形在画布上的作品是尚未到来、在过渡中、即将迎接变化,直到感受盈满,它才会把我们推远。

ARCH 采访 | 谢燚

他的作品长期以来从“劳动”这个常用的词汇出发,不断向现实世界里以“语言”为基础的权利追问。“我只希望我认为重要的东西能被大家知道,那就是”具体的劳动“在现实世界中是如何”做功“的。”

Tuesday – Sunday
10.00am – 6.00pm

ARCH Gallery
Yinjiachong Rd, Tianxin District
410000 Changsha

星期二 – 星期日
上午10.00 – 下午6.00

湖南省长沙市天心区殷家冲路
1123文创园一楼
ARCH GALLERY

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